The shows coming to London next. New productions, transfers, revivals and booking extensions, with opening dates, venues and casting as soon as they are announced — so you can book before word gets out.
Emily Woof performs her one-woman show Revolver at Soho Theatre on Dean Street from 24 November to 5 December 2026, co-produced with Shared Experience in the company’s fiftieth anniversary year.
On Your Bike Baffo! reaches Jackson’s Lane on Sunday 4 October, with two performances in a day. The clowning show from OH! Productions is built for children aged 3-8, and it has picked up five-star notices on the road.
Booking for ABBA Voyage at ABBA Arena now runs to Monday 28 June 2027, and 170,000 tickets have been released for the new period. The London concert experience turns five in May 2027.
A Class of Your Own, a new show for eight to twelve year olds built with young people who have been excluded from school, gets its world premiere at Polka Theatre on 3 October before a single date in Luton a week later.
The first rehearsal images have been released for The Cherry Orchard, which brings Kristin Scott Thomas and Stephen Mangan to the Harold Pinter Theatre next month in Ian Rickson’s production of Chekhov’s last play.
Sheffield Theatres has released the first rehearsal images for Twelfth Night, with Mathew Horne as Malvolio and Jamie Glover directing. The production opens at the Crucible on Saturday 10 October 2026.
Julian Ovenden, Louise Dearman and Ricardo Afonso are the first performers named for West End Does: Christmas, which leaves Cadogan Hall for St Marylebone Church and gives a single concert there on Sunday 20 December…
Magic Mike Live has opened a new booking period at the London Hippodrome, with performances now on sale through to Sunday 2 January 2028 and tickets from £42.
Bones takes the title role in Jack and the Beanstalk, the sixth all-drag pantomime from TuckShop, which runs at the Emerald Theatre from Wednesday 2 December 2026 to Sunday 10 January 2027.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
