Review Roundup: ENGLISH NATIONAL BALLET: RHYTHM RIOT at Sadler’s Wells
The reviews are in for English National Ballet’s Rhythm Riot, the triple bill that opened the company’s season at Sadler’s Wells on 24 September. Artistic director Aaron S.
The reviews are in for English National Ballet’s Rhythm Riot, the triple bill that opened the company’s season at Sadler’s Wells on 24 September. Artistic director Aaron S.
The reviews are in for The First Year (of the Gaza Genocide in the Media), BÉZNĂ Theatre’s documentary piece at New Diorama Theatre, which examines how UK news outlets reported the twelve months from 7 October 2023.
Chichester Festival Theatre is ending its main-house season with a rave, and the reviews are in for A Midsummer Night’s Dream, which opened on 25 September.
The critics have been to Richmond for a small and quiet light, Stephanie Street’s play about Noor-un-Nisa Inayat Khan, the Special Operations Executive wireless operator sent into occupied France in 1943.
Gillian Anderson and Billy Crudup are seen on stage as Martha and George for the first time, in production photographs from Who's Afraid of Virginia Woolf? released on the day of its press night at @sohoplace.
The producers of Paddington The Musical have put 130 pairs of seats for the new company's final dress rehearsal at the Savoy Theatre on 28 October into a £10 prize draw, with the proceeds going to the children's charity…
The reviews are in for The Standard of Living, James Graham’s new play about the economist John Maynard Keynes, which opened at the Theatre Royal Haymarket on 29 September.
Faulty Towers The Dining Experience will play its 4,000th West End performance on 22 January 2027, opening a year that also brings 15 years in London and 30 since the show began in Brisbane.
Julian Hoult will play Toad and Kingdom Sibanda will play Ratty in The Wind in the Willows, the Rose Theatre's world-premiere Christmas show, which runs in Kingston upon Thames from 25 November 2026 to 3 January 2027.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.