The shows coming to London next. New productions, transfers, revivals and booking extensions, with opening dates, venues and casting as soon as they are announced — so you can book before word gets out.
BIG Live's ballet Dracula is coming back to London for a fortnight at the Adelphi Theatre, from 16-31 January 2027, after a year that took it from Sadler's Wells to San Francisco, Singapore and Australia.
UNREAL: A Festival of Magic and Performance takes over Battersea Arts Centre from 7-14 November, and its full programme is now out: ten shows, four of them UK premieres and four works in progress.
Matt Henry is hosting The Actors House Christmas Songbook, a one-night fundraising concert at the Gillian Lynne Theatre on Monday 7 December 2026, with Beverley Knight, Jess Folley and Oliver Tompsett the first guests…
New South London actor-musician company SLEAZE Theatre makes its debut with Six Kinds of Wednesday, an original punk rock vampire musical, at the Bread & Roses Theatre in Clapham on 26-28 October.
Wits End, a new comedy by Estée Stimler, will have its world premiere at Circle & Star Theatre in Hampstead from 9-22 November 2026, directed by the venue's artistic director, Steve Furst.
Ian McKellen, Golda Rosheuvel, Arinzé Kene and Rosie Sheehy star in An Ark, a Simon Stephens play watched through mixed reality glasses, which receives its European premiere at Aviva Studios in Manchester from 27 March…
Judith Kerr's Mog the Forgetful Cat is coming to the stage as a new musical play. It opens at the Rose Theatre in Kingston on 11 February 2027, then tours the UK until September, with tickets on sale now.
Rambert's dance version of It's A Sin and a new Einstein on the Beach head Factory International's 2027 season at Aviva Studios in Manchester. Members can book now, and general sale opens on 20 October.
The first production photos of The Cherry Orchard have landed on its opening day, with Kristin Scott Thomas and Stephen Mangan leading the company at the Harold Pinter Theatre.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
