Honest, first-hand reviews of London shows, plus the most comprehensive review roundups around: every critic's verdict in one place, updated as new reviews land.
The first reviews are in for Tell Me Straight / Aggy, Paul Bradshaw’s double bill of queer London plays, now running at the King’s Head Theatre in Islington after a run at the Park Theatre in March.
The notices are in for Ilford Boy, the second play from Danny Lee Wynter, which had its press night at the Donmar Warehouse on 20 October in a production directed by Tim Sheader.
The reviews are in for Martin Guerre, the Boublil and Schönberg musical that Matthew Warchus has cut to 90 minutes and staged in the round as his last production as artistic director of the Old Vic.
The reviews are in for Disney’s High School Musical, the first UK non-replica staging of the stage version of the 2006 film, which has moved from Salford to the Troubadour Wembley Park Theatre with Harry Judd as Coach…
The notices are in for the Orange Tree Theatre’s revival of Murder in the Cathedral, which has left its Richmond home during building work and taken T.S.
The reviews are in for 4.48 Psychosis, Philip Venables’ opera on Sarah Kane’s final play, which the Royal Opera revived on 17 October in the Linbury Theatre at the Royal Opera House.
The notices are in for Triumph, Caryl Churchill’s new play of barely a quarter of an hour, running for a single week at the Almeida Theatre.
The reviews are in for Angel’s Bone, Du Yun and Royce Vavrek’s Pulitzer Prize-winning opera about human trafficking, which English National Opera opened at the London Coliseum on 16 October after its UK premiere at…
The reviews are in for The Gang of Three, Robert Khan and Tom Salinsky’s political comedy-drama about Roy Jenkins, Denis Healey and Tony Crosland, the Labour heavyweights who each wanted to lead the party and could…
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
