Honest, first-hand reviews of London shows, plus the most comprehensive review roundups around: every critic's verdict in one place, updated as new reviews land.
The reviews are in for Room 13, the 35-minute immersive horror show that Immersive Octopus and Battersea Arts Centre are running at the Lavender Hill building until 1 November.
The reviews are in for Tellus, the hour-long dance-theatre piece by Dickson Mbi that had its London premiere at Sadler’s Wells East on 21 October and ran there until 24 October, after an earlier tour this year.
The reviews are in for Dolly, Charlotte Ashton’s new play at the Omnibus Theatre in Clapham, which runs until Saturday 7 November.
The reviews are in for Garry Starr: Classic Penguins, the mostly naked one-man comedy in which Damien Warren-Smith’s clown, in a ruff, a tailcoat and a pair of flippers, sets out to save literature by performing the…
The reviews are in for London City Ballet: Firebird – A Double Bill, the company’s three-night stop at Sadler’s Wells.
The reviews are in for The Master Builder at the Arcola Theatre, where artistic director Mehmet Ergen stages David Edgar’s version of Ibsen’s late play.
The reviews are in for The Pianist, Thom Southerland’s stage version of Wladyslaw Szpilman’s memoir of surviving Nazi-occupied Warsaw, which opened at the Park Theatre on 22 October after a short run at Southampton’s…
The reviews are in for Acosta Danza: Cuban Baroque, the double bill that Carlos Acosta’s Havana-based company brought to Sadler’s Wells for four nights from 7 October.
The reviews are in for Derren Brown: Only Human, which had its press night at the Apollo Theatre on 21 October after a UK and Ireland tour.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
