Honest, first-hand reviews of London shows, plus the most comprehensive review roundups around: every critic's verdict in one place, updated as new reviews land.
The reviews are in for The Brown Suite, the first full-length dance-theatre piece from Nahum McLean and Darius Drooh, the duo who work as BlacBrik, which had its world premiere at Richmond Theatre on 30 September before…
The reviews are in for HAM, Hotter Project’s vegan rewrite of Hamlet, which has come to Soho Theatre from this summer’s Edinburgh Fringe.
The reviews are in for De Profundis, the Berliner Ensemble’s staging of the letter Oscar Wilde wrote to Lord Alfred Douglas from Reading Gaol, which has its UK premiere in a week-long run at the Coronet Theatre.
The reviews are in for What the Animals Say, the first play by David Ireland, now receiving its London premiere at the Finborough Theatre in a production directed by Harry Burton.
The reviews are in for Jess & Morgs: Deepfake, the new dance-theatre piece from Jessica Wright and Morgann Runacre-Temple, which played three nights at Sadler’s Wells East, 1-3 October.
The reviews are in for Flamenc Oh!!, the Spanish company Yllana’s flamenco comedy, which opened at the Peacock Theatre on 30 September for a short run to 10 October after its Edinburgh Fringe debut.
The reviews are in for Bull, Mike Bartlett’s 2013 play about three colleagues fighting to keep their jobs through a round of redundancies, now revived by the deaf-led company Deafinitely Theatre and performed entirely…
The reviews are in for Educating Rita, Curve’s own revival of Willy Russell’s two-hander, which had its press night in Leicester on 1 October.
The reviews are in for Antigone Exits, Nina Segal’s new version of Sophocles’ tragedy, which closes the Minerva Theatre’s season at Chichester Festival Theatre and opened on 1 October.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
