Honest, first-hand reviews of London shows, plus the most comprehensive review roundups around: every critic's verdict in one place, updated as new reviews land.
The reviews are in for King Lear at the Royal Exchange Theatre in Manchester, the production that marks the theatre’s 50th anniversary and brings David Threlfall back to its stage after 27 years.
The reviews are in for Little Shop of Horrors at Hope Mill Theatre in Manchester, which had its press night on 7 October and runs until 28 November before moving to Liverpool Playhouse from 3 December to 9 January.
The reviews are in for NINA, the debut play by director Caroline Williams, which she co-directs with Deborah Pearson at Battersea Arts Centre.
The reviews are in for The Haunting of Hill House, Stef Smith’s new stage adaptation of Shirley Jackson’s 1959 novel, from its week at Richmond Theatre on 6-10 October.
The London reviews are in for Fences, Headlong’s touring revival of August Wilson’s Pulitzer-winning 1985 play, which has reached the Lyric Hammersmith after opening at Leeds Playhouse.
The reviews are in for End of the World and Hard-Boiled Wonderland at the Barbican Theatre. The first stage version of Haruki Murakami’s 1985 novel, directed and choreographed by Philippe Decouflé for HoriPro and led by…
The reviews are in for Don Black’s From the Heart, the lyricist’s cabaret-style revue, which opened at the Garrick Theatre on 8 October for a run of 15 performances.
The reviews are in for Rent, Luke Sheppard’s 30th anniversary revival of Jonathan Larson’s rock musical, which opened on 8 October at the Tom Stoppard Theatre, the renamed Duke of York’s.
Reviews are in for Blood of My Blood, the debut play by Joy Nesbitt, which has opened in the Jerwood Theatre Upstairs at the Royal Court Theatre.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
