Everything happening across London's Theatreland, gathered in one place. Opening nights, closures and transfers, casting news, industry talking points and the stories shaping the West End — updated as the news breaks.
The West End will dim its lights for Sir Patrick Stewart, The Greatest Showman has its Drury Lane dates and Paddington The Musical is now booking to June 2028. This is the week in London theatre.
A fresh set of rehearsal photographs by Alex Lake takes the camera behind the scenes of Hamlet Hail to the Thief as the company finishes rehearsals, with the first London preview at the Barbican Theatre this weekend.
The first production photos from English National Opera's new Tosca are out, with Axelle Fanyo in the title role and Christopher Purves as Scarpia. The staging opens at the London Coliseum tonight.
Anthony Spargo writes the script and plays the Dame in Jack and the Beanstalk, Greenwich Theatre’s pantomime this Christmas, with Sam Bailey as Jack and Eleanor Fransch, Paul Critoph, Lydia Bell and Georgia Grant…
The London company of Wicked is marking this weekend's Wicked Day by teaming up with youth charity Ditch the Label, and has released a fresh set of production photographs from the Apollo Victoria Theatre.
Theatres across the West End will lower their lights for two minutes at 7pm on Tuesday 3 November in memory of Sir Patrick Stewart, who has died at the age of 86.
The first rehearsal pictures are out for My Fair Lady at Pitlochry Festival Theatre, where Alan Cumming plays Professor Henry Higgins opposite Verity Power's Eliza Doolittle from 21 November.
The first production photographs of Wanted are out, and with them the first look at Bradley Jaden, a Javert familiar to a generation of West End audiences, in the role that marks his Broadway debut.
Sir Patrick Stewart, whose stage career took him from the Royal Shakespeare Company to the West End and Broadway, has died at the age of 86. His family said he died at his home in Los Angeles on Wednesday 28 October.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
