Everything happening across London's Theatreland, gathered in one place. Opening nights, closures and transfers, casting news, industry talking points and the stories shaping the West End — updated as the news breaks.
Pitlochry Festival Theatre has released the first production images for I’ll Be Seeing You, the world premiere of a new play by Martin Sherman starring Simon Russell Beale and Fra Fee.
A Class of Your Own, a new show for eight to twelve year olds built with young people who have been excluded from school, gets its world premiere at Polka Theatre on 3 October before a single date in Luton a week later.
The Old Vic’s production of A Christmas Carol, written for the theatre by Jack Thorne and conceived and directed by its artistic director Matthew Warchus, returns to New York in November, with Olivier Award winner Andy…
Chichester Festival Theatre has published the first production photographs of A Midsummer Night's Dream, the show that closes its Festival 2026 season, with Munya Chawawa as Bottom and Eve Ponsonby as Titania.
Jenna Bonner steps up from the ensemble to play Andy Sachs in The Devil Wears Prada from 20 October, with Taila Halford continuing as Emily Charlton.
Antonia Kinlay, Mirain Haf Roberts, Llinos Daniel, Hedydd Dylan and Charlotte Gray make up the company of The Revlon Girl, which returns to Park Theatre from 26 October to 14 November 2026.
The first rehearsal images have been released for The Cherry Orchard, which brings Kristin Scott Thomas and Stephen Mangan to the Harold Pinter Theatre next month in Ian Rickson’s production of Chekhov’s last play.
Sheffield Theatres has released the first rehearsal images for Twelfth Night, with Mathew Horne as Malvolio and Jamie Glover directing. The production opens at the Crucible on Saturday 10 October 2026.
Rose Theatre has released the first production photographs from Three Men in a Boat, the world premiere comedy by Al Smith now running in Kingston upon Thames until Saturday 10 October 2026.
Opening nights, casting announcements and what the critics really thought — rounded up by our editors. No spam, unsubscribe in one click.
